The SOUND “Angershade” sounds like modern darkness engineered with surgical precision—a fusion of atmosphere, weight, and tension. The music feels architectural: layers built deliberately, each instrument occupying its own dimensional space. The bass is the gravitational core—deep, melodic, and relentless. It moves like a pulse through fog, carrying both groove and emotion. The tone is rich and textured, often driven, slightly overdriven, or compressed to sit thick in the mix without losing clarity. The drums form the spine: cinematic, patient, and deliberate. The kicks land heavy but spacious, the snares tight and reverberant, toms tuned low to create rolling depth. Every rhythm breathes—it’s not speed that drives it but gravity. The percussion feels human but mechanical in discipline, giving the music that “engine heartbeat” beneath its atmosphere. Guitars are ghosts and weather systems—minimalist but expressive. They shimmer in layers of reverb and delay, often swelling rather than striking, acting as texture instead of riff. When distortion enters, it’s sculpted—dense, wide, and emotional, never messy. Clean tones glisten like broken glass in moonlight, shifting between melancholy and menace. Synths and ambient textures weave through everything, not as decoration but as foundation—pads that move like breathing, subharmonic swells that blur the line between analog and digital. The sound design leans cinematic, balancing warmth and sterility, melody and decay. Altogether, the sound of Angershade feels like the moment between collapse and creation—industrial precision colliding with human melancholy. It’s rhythm as architecture, tone as emotion, and silence as an instrument. Every frequency feels intentional, as if sculpted to make darkness beautiful. The CHRONOLOGY ERA I 09/2008 – Founded and Registered 03/2014 – First Track “Glock” demoed 05/2014 – “Glock” sesssion recorded & mixed 06/2015 – “Glock” mastered and released an SP Era II 07/2018 – Concept for first album begins 08/2018 – “Envy” conceptualized 09/2018 – “Hex” conceptulized 10/2018 – Sampled voiced created with Tes & Olivia “The Witches” 01/2019 – “Isolation” written & live demoed 02/2019 – “Adept” conceptualized 03 – 05/2019 – “Demos completed” 06 – 07/2019 – Session recording begins and ends for “Arete” 09/2019 – Mixdown of Arete 10/2019 – Mixdown and Mastering of Arete 11/2019 – Cover concept design and Release date set for Arete 12/05/2019 – Arete released under Yegge Label with CdBaby. 10/2020 – “Hex (Prognosticator Mix)” started 12/03/2020 – “Hex (Prognosticator Mix)” released under Sonancy Label 02/2021 – Promo for Sonancy featuring Half written track “HeXXmaS” launches 03/2021 – prepping the Session releases for “Hex” and “Envy” Sessions 04/2021 – Sonancy closes its doors, assets acquired by Yegge Publishing. 05/2021 – Hex & Envy Sessions Released under Auricle label and Soundcloud. 10/2021 – Demoing “The Isolation Sessions” 02/2022 – Session recording “The Isolation Sessions” 05 – 07/2022 – Mixing and mastering “The Isolation Sessions” 07/28/2022 “The Isolation Sessions” released under the Yegge Label with Distrokid 08/2022 – All releases except The Hex Sessions & The Envy Sessions change distributors over to Distrokid 03/2023 – Plans to remaster Arete start 05 – 08/2023 – Arete Remastered and planned as an LP release on CD, Vinyl, and Streaming. 08/2023 - ``13th “The Hex Sessions” & “The Envy Sessions” & “Vinyl & CD Pre-order launches” 10/11/2023 VInyl CD Preorder ends and is released. 11/17/2023 Arete “Remastered” released on streaming 12/2023 – 06/2024 Hiatus Era III 7/2024 – Present | Stages of the new album begin from concept to release. 12/2025 | Relocate studio to an undisclosed location. Only a select few to know location. Work on new album commences.